"Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo)" by Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten was released on July 14, 2023. The duration of Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) is about 3 minutes long, at 3:18. Based on our data, "Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Stölzel: Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) by Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: I. Lentement | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | E♭ Major | 5 | 5B | 132 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
À Chloris (Transc. for Oboe and Piano) | Reynaldo Hahn, Albrecht Mayer, Kimiko Imani | E Major | 1 | 12B | 66 BPM | ||
Overtures For 2 Horns, 2 Oboes And Strings / Overture No.2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio | Ludwig van Beethoven, Igor Levit | F Major | 0 | 7B | 67 BPM |