"À Chloris (Transc. for Oboe and Piano)" by Reynaldo Hahn, Albrecht Mayer, Kimiko Imani was released on July 10, 2020. The duration of À Chloris (Transc. for Oboe and Piano) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. À Chloris (Transc. for Oboe and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hahn: À Chloris (Transc. for Oboe and Piano) [Musical Moments] and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. À Chloris (Transc. for Oboe and Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of À Chloris (Transc. for Oboe and Piano) by Reynaldo Hahn, Albrecht Mayer, Kimiko Imani to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe and Orchestra No. 2 in G Minor: II. Adagio | Ludwig August Lebrun, Albrecht Mayer, Kammerakademie Potsdam | B♭ Major | 0 | 6B | 135 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Waltz. Moderato. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Hope, Zürcher Kammerorchester | G Major | 2 | 9B | 90 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 2. Affettuoso | Antonio Lotti, Albrecht Mayer, New Seasons Ensemble | E Major | 1 | 12B | 133 BPM | ||
Douze valses, Le ruban dénoué: No. 8, La cage ouverte | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | F Major | 2 | 7B | 120 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM |