Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik's 'Douze valses, Le ruban dénoué: No. 8, La cage ouverte' came out on January 1, 1992. The duration of Douze valses, Le ruban dénoué: No. 8, La cage ouverte is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Douze valses, Le ruban dénoué: No. 8, La cage ouverte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik's "Hahn: Intégrale de l'œuvre pour deux pianos, Vol. 1" album is number 21 out of 25. On top of that, France appears to be the country where this track was created. Based on our statistics, Douze valses, Le ruban dénoué: No. 8, La cage ouverte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Douze valses, Le ruban dénoué: No. 8, La cage ouverte by Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: 1. Theme (Andante grazioso) | Wolfgang Amadeus Mozart, Alicia de Larrocha | A Major | 0 | 11B | 91 BPM | ||
Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
Ravel: Miroirs, M. 43: V. La Vallée des cloches | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 132 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |