Giovanni Pacini, David Parry, Academy of St. Martin in the Fields's 'Pacini: Carlo di Borgogna, Act 1: "Di mie cure, di mia fede" (Arnoldo, Chorus)' came out on January 1, 1995. With Pacini: Carlo di Borgogna, Act 1: "Di mie cure, di mia fede" (Arnoldo, Chorus) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Pacini: Carlo di Borgogna". In this album, this song's track order is #3. Based on our statistics, Pacini: Carlo di Borgogna, Act 1: "Di mie cure, di mia fede" (Arnoldo, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pacini: Carlo di Borgogna, Act 1: "Di mie cure, di mia fede" (Arnoldo, Chorus) by Giovanni Pacini, David Parry, Academy of St. Martin in the Fields having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | ||
La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
Lakmé / Act 1: Prendre le dessin d'un bijou... Fantaisie aux divins | Léo Delibes, Alain Vanzo, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 89 BPM | ||
Pacini: Carlo di Borgogna, Act 1: "Domo è l'orgoglio" (Carlo, Chorus, Arnoldo) | Giovanni Pacini, David Parry, Academy of St. Martin in the Fields | F Major | 2 | 7B | 129 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Le Comte Ory / Act 1: "Moi, je réclame | Gioachino Rossini, Juan Diego Flórez, Rosella Bevacqua, Marina de Liso, Bruno Pratico, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Pacini: Carlo di Borgogna, Act 2: "Stretta. Perdon chiedi?... Già segnata è la tua sorte" (Estella, Carlo) | Giovanni Pacini, David Parry, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 95 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |