"Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp)" by Giovanni Battista Pergolesi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch was released on October 1, 2013. The duration of Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) is about 3 minutes long, at 3:16. Based on our data, "Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 21 in A Tale of Two Cellos by Julian Lloyd Webber, Jiaxin Lloyd Webber. Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) by Giovanni Battista Pergolesi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch is Lento (slowly), since this song has a tempo of 60 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Piano Sonata No. 11 In A, K.331 "Alla Turca": Rondo alla turca (Arr. Palmer) | Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury | A Major | 2 | 11B | 135 BPM | ||
Flute and Harp Concerto, K. 299: II. Andantino (Arr. Spindler for Oboe, Harpsichord and Orchestra) | Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen | D Major | 1 | 10B | 107 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | A Major | 2 | 11B | 103 BPM | ||
Pergolesi: Confitebor: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Minor | 2 | 12A | 114 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
Impromptu for Viola & Piano, Op. 33 | Dmitri Shostakovich, Matthew Lipman, Henry Kramer | A Minor | 0 | 8A | 98 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM |