Claude Debussy, Juilliard String Quartet made "String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé" available on 1960. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 8 in Debussy: String Quartet in G Minor, Op. 10, L. 85 - Ravel: String Quartet in F Major, M. 35 by Juilliard String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé by Claude Debussy, Juilliard String Quartet is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Violin Concerto in D Major: IV. Capriccio | Igor Stravinsky, Jennifer Frautschi, Philharmonia Orchestra, Robert Craft | G Major | 2 | 9B | 129 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | D♭ Major | 3 | 3B | 141 BPM | ||
Klavierstück in C Major - 1 | Anton Webern, Jean-Jacques Dünki | A Minor | 0 | 8A | 70 BPM | ||
4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Jeremy Denk | B Minor | 0 | 10A | 68 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows) | Leoš Janáček, Rudolf Firkusny | A♭ Minor | 0 | 1A | 87 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM |