Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma made "Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio" available on 1988. The duration of Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio is about 3 minutes long, at 3:04. Based on our data, "Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Shostakovich: Piano Trio No. 2, Cello Sonata (Remastered)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio by Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro vivace | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 146 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Appalachia Waltz | Yo-Yo Ma, Mark O'Connor, Edgar Meyer | D Major | 1 | 10B | 70 BPM | ||
King Gesar: Pt. 5, The Song of Manene | Peter Lieberson, Yo-Yo Ma, Peter Serkin, Emanuel Ax | A Minor | 0 | 8A | 113 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Lynn Harrell, Vladimir Ashkenazy | F Major | 0 | 7B | 99 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM |