On December 4, 2015, the song "Lisbon "Dublin Bay"" was released by Anonymous, Percy Grainger, J. Michael Holmes, Phil Pierick, Adam Hawthorne, Joyce Griggs, Jesse Dochnahl. With Lisbon "Dublin Bay" being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Percy Grainger, Joyce Griggs's "Grainger: Music for Saxophones" album is number 13 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Lisbon "Dublin Bay" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lisbon "Dublin Bay" by Anonymous, Percy Grainger, J. Michael Holmes, Phil Pierick, Adam Hawthorne, Joyce Griggs, Jesse Dochnahl to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Victorian Kitchen Garden: IV. Exotica | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM | ||
Pini di Roma (The Pines of Rome): II. Pini presso una catacomba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 109 BPM | ||
Ballade No. 17 (Arr. P. Grainger for Saxophone Ensemble) | Guillaume de Machaut, Percy Grainger, J. Michael Holmes, Joyce Griggs, Phil Pierick | B♭ Minor | 2 | 3A | 118 BPM | ||
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | F♯ Minor | 0 | 11A | 198 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 1 | 7B | 133 BPM | ||
First Suite for Military Band, Op. 28 No. 1: II. Intermezzo | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 1 | 5A | 145 BPM |