On December 4, 2015, the song "Ballade No. 17 (Arr. P. Grainger for Saxophone Ensemble)" was released by Guillaume de Machaut, Percy Grainger, J. Michael Holmes, Joyce Griggs, Phil Pierick. The duration of Ballade No. 17 (Arr. P. Grainger for Saxophone Ensemble) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Ballade No. 17 (Arr. P. Grainger for Saxophone Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Percy Grainger, Joyce Griggs's "Grainger: Music for Saxophones" album is number 3 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Ballade No. 17 (Arr. P. Grainger for Saxophone Ensemble) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ballade No. 17 (Arr. P. Grainger for Saxophone Ensemble) by Guillaume de Machaut, Percy Grainger, J. Michael Holmes, Joyce Griggs, Phil Pierick to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The silver swan | Orlando Gibbons, The Forbury Consort, Alan Crumpler, Martin Pope, The Holbein Consort, Steven Player | F Major | 0 | 7B | 72 BPM | ||
Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
Isaac: Optime Pastor - 1. Optime Divino | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 87 BPM | ||
Fontana che dai acqua | Giovanni Domenico del Giovane da Nola, Shirley Rumsey | E Major | 0 | 12B | 71 BPM | ||
Ja nuns hons pris | Richard I of England, Alla Francesca, Emmanuel Bonnardot, Raphaël Boulay, Pierre Hamon, Brigitte Lesne | D♭ Major | 1 | 3B | 73 BPM | ||
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
So ben mi chi ha bon tempo | Cesare Negri, Baltimore Consort | G Minor | 1 | 6A | 130 BPM | ||
Nunc Dimittis | Wayne Hubbard | E♭ Minor | 0 | 2A | 168 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM |