"オペレッタ「ウィーンの朝・昼・晩」: 序曲" by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter was released on December 24, 2014. Since オペレッタ「ウィーンの朝・昼・晩」: 序曲 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ジルベスター&ニューイヤー クラシック・カウント・ダウン! 2014-2015[フィギュアスケート、サッカー、ジルベスター&ニューイヤーコンサート、アニバーサリー作曲家(R.シュトラウス、伊福部昭、シベリウス、グラズノフ)ほか年末年始を華やかに彩るクラシック名曲選!], so we believe that "オペレッタ「ウィーンの朝・昼・晩」: 序曲" is a single. Based on our statistics, オペレッタ「ウィーンの朝・昼・晩」: 序曲's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of オペレッタ「ウィーンの朝・昼・晩」: 序曲 by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Tannhäuser: Pilgerchor | Chor der Staatsoper Budapest, Orchester der Staatsoper Budapest, Josif Canta | E♭ Major | 2 | 5B | 118 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise | Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman | C Major | 1 | 8B | 113 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber | C Minor | 3 | 5A | 96 BPM |