Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman made "Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise" available on May 7, 1997. With this song being about 5 minutes long, at 4:58, "Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise" by Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Saint-Saens (The Best Of)". In this album, this song's track order is #1. In terms of popularity, Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise by Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 99 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |