"Quartetto d’Archi n.13 in La minore Op. 291 D 804" by Olga Wolf, Kseniya Chernyshova, Larisa Mochalin, Domnika Sokolov was released on January 12, 2010. Since Quartetto d’Archi n.13 in La minore Op. 291 D 804 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Armonie Symphony Orchestra's "Good Classic Vol.17" album is number 5 out of 16. Quartetto d’Archi n.13 in La minore Op. 291 D 804 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quartetto d’Archi n.13 in La minore Op. 291 D 804 by Olga Wolf, Kseniya Chernyshova, Larisa Mochalin, Domnika Sokolov to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
Symphony No. 41 "Jupiter" C-dur (C-Major), K. 551: Andante cantabile | Moscow Philharmonic Orchestra | F Major | 0 | 7B | 77 BPM | ||
Hommage till Lovisa Fredrica Bellman | Tomas Blank, Bellman Concerto Ensemble | C Major | 0 | 8B | 167 BPM | ||
Sinfonia No. 6 in E-Flat Major, MWV N6: III. Prestissimo | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 4 | 5B | 155 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | ||
Klarinettenkonzerte Nr.1op.73 & Nr.2 op.74 · Concertino op.26, Konzert für Klarinette und Orchester Nr.2 Es-dur op.74: I. Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | B♭ Major | 1 | 6B | 125 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM |