Joseph Haydn, Trio Gaspard's 'Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale' came out on May 10, 2024. The duration of Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale is about 3 minutes long, at 3:20. Based on our data, "Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Trio Gaspard's "Haydn: Complete Piano Trios, Vol. 3" album is number 11 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale by Joseph Haydn, Trio Gaspard to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony in D, H.I No.6 - "Le Matin": 1. Adagio - Allegro | Franz Joseph Haydn, Erwin Ramor, Zoltan Thirring, Philharmonia Hungarica, Antal Doráti | D Major | 3 | 10B | 134 BPM | ||
String Quartet in D minor Op. 76 No. 2 "Fifths": I. Allegro | Franz Joseph Haydn, Alban Berg Quartett | D Minor | 1 | 7A | 129 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
String Quartet in G Major, Op. 52 No. 3, G. 234: IV. Allegro giusto | Luigi Boccherini, Sarasa Ensemble | F♯ Major | 0 | 2B | 84 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM |