"Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo" by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà was released on August 26, 2022. With Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà's "Music for Strings by: Elgar, Arensky, Tchaikovsky, Fuchs" album is number 5 out of 15. On top of that, Netherlands appears to be the country where this track was created. Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
25 Études faciles et progressives, Op. 100: No. 8, La gracieuse | Franz Burgmüller, Carl Petersson | C Major | 2 | 8B | 106 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Rondeau brillante in B Minor Op. 70, D. 895: I. Andante - II. Allegro (Arr. for Violin and Strings Ensemble by Paul Suits) [Excerpt] | Franz Schubert, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets | B Major | 2 | 1B | 117 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera Italiana | B Minor | 0 | 10A | 72 BPM | ||
Serenade No. 3 in E Minor, Op. 21: III. Allegretto grazioso | Robert Fuchs, Cologne Chamber Orchestra, Christian Ludwig | E Major | 0 | 12B | 112 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |