"Refrain 4 / Monteverdi: Amor dov'è la fe' (Arr. The Dowland Project, Potter) - Medley" by Stephen Stubbs, Claudio Monteverdi, The Dowland Project, John Potter was released on October 13, 2003. Since Refrain 4 / Monteverdi: Amor dov'è la fe' (Arr. The Dowland Project, Potter) - Medley is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 15 in Care-charming sleep by The Dowland Project, John Potter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Refrain 4 / Monteverdi: Amor dov'è la fe' (Arr. The Dowland Project, Potter) - Medley is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Refrain 4 / Monteverdi: Amor dov'è la fe' (Arr. The Dowland Project, Potter) - Medley by Stephen Stubbs, Claudio Monteverdi, The Dowland Project, John Potter is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si dolce e'l tormento (arr. for jazz ensemble) | Roberta Mameli, La Venexiana | D Minor | 1 | 7A | 72 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
Polifemo: Alto Giove | Nicola Porpora, Simone Kermes, La Magnifica Comunità | E Minor | 0 | 9A | 73 BPM | ||
The Waltz | G. I. Gurdjieff, Thomas de Hartmann, Alessandra Celletti | C Minor | 1 | 5A | 110 BPM | ||
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 2 | 2B | 175 BPM | ||
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
Erbarm dich mein, o Herre Gott, BWV 721 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Major | 0 | 10B | 79 BPM | ||
Melos | Vassilis Tsabropoulos, Anja Lechner, U.T. Gandhi | G Minor | 1 | 6A | 130 BPM | ||
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM |