"Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament)" by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari had its release date on January 1, 2010. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "O Solitude". In this album, this song's track order is #10. Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" | Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 2 | 3B | 142 BPM | ||
Cavalli / Arr Pluhar: L'Ormindo: L'Armonia (Prologo) | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 79 BPM | ||
My Dearest, My Fairest | Henry Purcell, Ensemble Musica Antiqua, Christian Mendoze, Charles Brett, Richard Bordas, Christine Peacock | F♯ Minor | 1 | 11A | 177 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) | Francesco Cavalli, Philippe Jaroussky | F Major | 1 | 7B | 91 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | E♭ Major | 1 | 5B | 134 BPM | ||
Requiem in D Minor, Op. 48: Pie Jesu | Gabriel Fauré, Grace Davidson, LSO Chamber Ensemble | B♭ Major | 0 | 6B | 89 BPM |