"Manon Lescaut: Act I: O soave fanciulla" by Mirella Freni, A. Magiera, Luciano Pavarotti was released on July 28, 2008. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Puccini-Arien". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Manon Lescaut: Act I: O soave fanciulla is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut: Act I: O soave fanciulla by Mirella Freni, A. Magiera, Luciano Pavarotti having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Land des Lächelns - Sung in Italian: "Tu che m'hai preso il cor" - Live | Franz Lehár, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | D♭ Major | 3 | 3B | 86 BPM | ||
Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 5 | 6B | 159 BPM | ||
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 77 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM |