Leoš Janáček, Marie Mrazova, Peter Dvorsky, Elisabeth Söderström, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras's 'Jenufa / Act 1: Co ty, Jenufo' came out on January 1, 1983. The duration of Jenufa / Act 1: Co ty, Jenufo is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Jenufa / Act 1: Co ty, Jenufo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Elisabeth Söderström, Peter Dvorsky, Eva Randová, Wiesław Ochman, Vienna State Opera Orchestra, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: Jenufa" album is number 4 out of 28. Based on our statistics, Jenufa / Act 1: Co ty, Jenufo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jenufa / Act 1: Co ty, Jenufo by Leoš Janáček, Marie Mrazova, Peter Dvorsky, Elisabeth Söderström, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!" | Alban Berg, Hildegard Behrens, Anna Gonda, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 137 BPM | ||
Pelléas et Mélisande, L. 88 / Act II: "C'est au bord d'une fontaine" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 75 BPM | ||
Die Walküre / Zweiter Aufzug: "Nun zäume dein Ross, reisige Maid" | Richard Wagner, Hans Hotter, Birgit Nilsson, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 113 BPM | ||
Il Trovatore / Act 4: "Parlar non vuoi?" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 81 BPM | ||
La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
Pelléas et Mélisande, L. 88 / Act II: "Vous ne savez pas où je vous ai menée" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Don Pasquale, Act I Quarta Scena: 'Quel guardo il cavaliere' (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 111 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
Tosca / Act 1: "Ah! Finalmente!" | Giacomo Puccini, Carlo Cava, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 71 BPM |