Juan Garcia de Zespedes, Rocío de Frutos, Ana Cristina Marco, Víctor Sordo, Ariel Hernandez, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena made "Convidando esta la noche" available on March 31, 2015. With this song being about 5 minutes long, at 5:22, "Convidando esta la noche" by Juan Garcia de Zespedes, Rocío de Frutos, Ana Cristina Marco, Víctor Sordo, Ariel Hernandez, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manuel Vilas, Musica Ficta, Raúl Mallavibarrena's "Musica Ficta Live in New York (Live)" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Convidando esta la noche is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Convidando esta la noche by Juan Garcia de Zespedes, Rocío de Frutos, Ana Cristina Marco, Víctor Sordo, Ariel Hernandez, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kemp’s Jig | Baltimore Consort | B♭ Major | 0 | 6B | 77 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Tsat een meskin: Stat ('tsaat) ein meskin | Jacob Obrecht, Ensemble Villanella, Sven Berger | G Major | 2 | 9B | 73 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Duo seraphim | Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | D Minor | 0 | 7A | 67 BPM | ||
Oy comamos y bebamos: Hoy comamos y bebamos | Juan del Encina, Accentus Ensemble, Thomas Wimmer | D Major | 2 | 10B | 142 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Sinfonia | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | G Major | 2 | 9B | 60 BPM |