Juan del Encina, Accentus Ensemble, Thomas Wimmer's 'Oy comamos y bebamos: Hoy comamos y bebamos' came out on July 17, 1996. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 22 in Cancionero Musical De Palacio: Music of the Spanish Court by Accentus Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Oy comamos y bebamos: Hoy comamos y bebamos's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Oy comamos y bebamos: Hoy comamos y bebamos by Juan del Encina, Accentus Ensemble, Thomas Wimmer is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
Textless Carmen | Piffaro | D Major | 0 | 10B | 115 BPM | ||
Paradetas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 2 | 10B | 121 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Almaine | Richard Dering, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | G Major | 0 | 9B | 133 BPM | ||
Otros Canarios | Rolf Lislevand, Santiago De Murcia | D♭ Major | 1 | 3B | 145 BPM | ||
Corrente detta L'Auellina | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 2 | 8B | 79 BPM | ||
Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM | ||
Jubilemus salvatori | Adam de Saint Victor, La Maurache, Julien Skowron, Catherine Jousselin, Hervé Lamy, Jean-Louis Paya | B♭ Major | 1 | 6B | 141 BPM |