"Vespro della Beata Vergine, SV 206: VII. Duo seraphim" by Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe was released on November 6, 2007. Vespro della Beata Vergine, SV 206: VII. Duo seraphim is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe's "Monteverdi: Vespro della beata Vergine" album is number 7 out of 13. On top of that, France appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: VII. Duo seraphim is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: VII. Duo seraphim by Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Ach bleib bei uns, Herr Jesu Christ | Johann Michael Bach, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Daniel Elgersma, Philippe Froeliger | B♭ Major | 1 | 6B | 77 BPM | ||
Paulus: I. Teil: Nr. 19 Aria mit Chor B "Ich danke dir, Herr, mein Gott" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, Philippe Herreweghe, La Chapelle Royale | G Major | 2 | 9B | 73 BPM | ||
Missa "Congratulamini mihi": Kyrie a 6 | Orlande de Lassus, Gabrieli, Paul McCreesh | C Major | 2 | 8B | 68 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Madrigali Erotici E Spirituali: O Stellae | Consort Of Musicke, Evelyn Tubb, Mary Nichols, Claudio Monteverdi, Simon Grant, Andrew King, Joseph Cornwell, Emma Kirkby, Gabriele Micheli | D Minor | 1 | 7A | 172 BPM | ||
Cantiones sacrae sex vocum: IV. Qui timet Deum | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | C Major | 2 | 8B | 78 BPM | ||
Byrd: Ye Sacred Muses | William Byrd, David James, London Baroque | B Major | 0 | 1B | 85 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 3 | 6B | 82 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM |