"Adriana Lecouvreur / Act 2: L'anima ho stanca, e la meta è lontana" by Francesco Cilea, Mario del Monaco, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana had its release date on January 1, 1962. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Adriana Lecouvreur / Act 2: L'anima ho stanca, e la meta è lontana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulietta Simionato, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. Adriana Lecouvreur / Act 2: L'anima ho stanca, e la meta è lontana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 2: L'anima ho stanca, e la meta è lontana by Francesco Cilea, Mario del Monaco, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon / Act 3: "Je suis seul...Ah, fuyez, douce image" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | E♭ Major | 3 | 5B | 178 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | D♭ Minor | 1 | 12A | 76 BPM | ||
Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) | Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | D Major | 2 | 10B | 99 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 90 BPM | ||
Werther / Act III: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |