Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine made "Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo)" available on March 25, 2022. With Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Pene Pati". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) by Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Turandot: Act I: Ah! per l'ultima volta | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
La Bohème: Pavarotti’s first high C ever: Che gelida manina! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti | F Minor | 5 | 4A | 89 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Cari luoghi ov'io passai | Gaetano Donizetti, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM |