"Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine was released on January 1, 1988. Since Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.