Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür made "Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai" available on January 4, 1995. The duration of Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 18 in Bach, J.C.: Sinfonias, Vol. 1 by Johann Christian Bach. Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai by Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
I Pagliacci - Vesti la Giubba | Ruggero Leoncavallo, Hanspeter Gmür, Nurnberger Symphoniker, Jose Maria Perez | E Minor | 4 | 9A | 82 BPM | ||
Symphony in C Major, F. 26: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | C Major | 1 | 8B | 77 BPM | ||
Overture in F Major, Op. 8, No. 3: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 95 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM | ||
Amadis de Gaule, W. G39: Act II Scene II: Ihr, die ihr teilt meinen Schmerz (Arcabonne) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Minor | 0 | 5A | 78 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM | ||
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM |