London Conchord Ensemble, Florian Uhlig made "Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise" available on 2010. The duration of Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise is about 3 minutes long, at 3:26. Based on our data, "Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 27 in Bach: Suite No. 2 in B Minor, Concerto in A Major, Concerto in C Minor, Concerto in D Minor, Brandenburg Concertos No. 2, 3 & 4 by London Conchord Ensemble, Florian Uhlig. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise by London Conchord Ensemble, Florian Uhlig is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
12 Variations on a Russian Dance from Wranitzky's Das Waldmadchen, WoO 71 | Ludwig van Beethoven, Florian Uhlig | D Major | 1 | 10B | 76 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
6 Etudes pour le pianoforte d'apres les caprices de Paganini, Op. 3: No. 2 in E Major | Robert Schumann, Florian Uhlig | E Major | 0 | 12B | 79 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto for Flute, Harp, and Orchestra in C, K.299: 1. Allegro | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | C Major | 1 | 8B | 124 BPM | ||
Symphony in B Minor, Wq. 182, No. 5: III. Presto | Carl Philipp Emanuel Bach, Orchestra of the Age of Enlightenment, Rebecca Miller | D♭ Major | 2 | 3B | 93 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM |