"Suite en duo: I. Préambule. Modéré" by Jean Cras, Emmanuel Ceysson, Frédéric Chatoux had its release date on July 3, 2020. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 15 in After a dream by Emmanuel Ceysson, Frédéric Chatoux. Suite en duo: I. Préambule. Modéré is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite en duo: I. Préambule. Modéré by Jean Cras, Emmanuel Ceysson, Frédéric Chatoux is Larghetto (rather broadly), since this song has a tempo of 61 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Romance for Violin and Orchestra in A Major, Op. 29 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | D Major | 1 | 10B | 57 BPM | ||
Nocturne opus posthume en do dièse mineur | Louise-Andrée Baril | D♭ Minor | 0 | 12A | 86 BPM | ||
Trois romances, Op. 22: I. Andante molto | Clara Schumann, Duo Alma | D♭ Major | 0 | 3B | 74 BPM | ||
Gli uccelli, P. 154: II. La colomba | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | F♯ Minor | 0 | 11A | 91 BPM | ||
The Lark in the Clear Air (Arr. for Piano Trio by Thomas Christopher Kelly) | Traditional, Lynda O'Connor, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Mendelssohns Lieder, S. 547: I. Auf Flügeln des Gesanges (After Op. 34/2) | Franz Liszt, Isata Kanneh-Mason | D♭ Major | 2 | 3B | 74 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 1 | 8B | 150 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM |