"Nocturne opus posthume en do dièse mineur" by Louise-Andrée Baril was released on 2001. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sonate, Polonaise brillante, Fantaisie-Impromptu, Nocturnes, Valse". In this album, this song's track order is #7. Nocturne opus posthume en do dièse mineur is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne opus posthume en do dièse mineur by Louise-Andrée Baril having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 chansons de Ronsard, Op. 223: II. À Cupidon | Darius Milhaud, Marie-Eve Munger, Louise-Andrée Baril | F Major | 0 | 7B | 70 BPM | ||
Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Epigrams | Zoltán Kodály, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM | ||
Chanson Grises: I. Chanson D'Automne | Reynaldo Hahn, Jean-Francois Lapointe, Louise-Andrée Baril | D♭ Major | 0 | 3B | 73 BPM | ||
Két tétel: No. 2. Csürdöngölo | Leó Weiner, Louise-Andrée Baril, André Moisan | B♭ Major | 1 | 6B | 78 BPM | ||
Elegy | Louise-Andrée Baril, Jean-Francois Lapointe | F Minor | 2 | 4A | 132 BPM | ||
Concerto for Cello and Wind Orchestra: II. Idylle | Friedrich Gulda, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
22 Scottish Songs, WoO 156: No. 1, Untitled | Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E Minor | 1 | 9A | 126 BPM | ||
Danse macabre | Joseph Rouleau, Louise-Andrée Baril, Camille Saint-Saëns | E♭ Major | 3 | 5B | 87 BPM | ||
Ave Maria, CG 89 (Arr. for Viola & Piano) | Charles Gounod, Megumi Ozawa, Mika Yamamoto | C Major | 0 | 8B | 125 BPM |