"Ave Maria, CG 89 (Arr. for Viola & Piano)" by Charles Gounod, Megumi Ozawa, Mika Yamamoto was released on February 10, 2023. The duration of Ave Maria, CG 89 (Arr. for Viola & Piano) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Ave Maria, CG 89 (Arr. for Viola & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viola Meditation by Megumi Ozawa, Mika Yamamoto. The song's track number on the album is #2 out of 16 tracks. Based on our data, Japan was the country where this track was produced or recorded. Based on our statistics, Ave Maria, CG 89 (Arr. for Viola & Piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ave Maria, CG 89 (Arr. for Viola & Piano) by Charles Gounod, Megumi Ozawa, Mika Yamamoto has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ave Maria, CG 89 (Arr. for Viola & Piano) being at 125 テンポ, the half-time would be 62 テンポ with a double-time of 250 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunday on Fifth Avenue - Performance | Cecilia McDowall, Ofer Falk, Irina Lyakhovskaya | G Major | 1 | 9B | 85 BPM | ||
Clarinet Sonata, FP 184: II. Romanza. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Jocelyn (Berceuse) | Benjamin Godard, Louise-Andrée Baril, Thérèse Motard | F Major | 0 | 7B | 125 BPM | ||
Venetian Music Sunrise | Morning Venice Dawn Harmony | F♯ Major | 0 | 2B | 66 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Lieder ohne Worte, Op. 30: No. 1 in E-Flat Major. Andante espressivo, MWV U 103 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
Three Hungarian Folksongs from Csík Sz. 35A: 3. White Lily | Béla Bartók, Irene Cantos | A Major | 1 | 11B | 89 BPM | ||
Après un rêve, Op. 7 No. 1 (Arr. P. Casals for Cello & Piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F Minor | 1 | 4A | 97 BPM |