"Samson et Dalila, Op. 47, R. 288: Bacchanale" by Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra was released on 1993. Since Samson et Dalila, Op. 47, R. 288: Bacchanale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Saint-Saëns: Symphony No. 3 "Organ Symphony", Phaéton, Danse macabre & Samson et Delila: Bacchanale". In this album, this song's track order is #7. Based on our statistics, Samson et Dalila, Op. 47, R. 288: Bacchanale's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila, Op. 47, R. 288: Bacchanale by Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Yentl: Papa, Can You Hear Me? | Michel Legrand, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Carnival of the Animals: XII. Fossils | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E♭ Major | 3 | 5B | 114 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM |