Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra made "Carnival of the Animals: XII. Fossils" available on January 1, 2005. With Carnival of the Animals: XII. Fossils being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Saint-Saëns: Carnival of the Animals; Bizet: Jeux d'enfants; Ravel: Mother Goose". In this album, this song's track order is #12. In terms of popularity, Carnival of the Animals: XII. Fossils is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carnival of the Animals: XII. Fossils by Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro | Johannes Brahms, Tal & Groethuysen | F♯ Major | 1 | 2B | 163 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | ||
Symphony N°5, Op. 67. Fate | London Symphony Orchestra | C Minor | 2 | 5A | 96 BPM | ||
Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: The Aquarium | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo - Live | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | D♭ Major | 0 | 3B | 84 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM |