London Symphony Orchestra's 'Symphony N°5, Op. 67. Fate' came out on January 11, 2010. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #20. In terms of popularity, Symphony N°5, Op. 67. Fate is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony N°5, Op. 67. Fate by London Symphony Orchestra having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for tenor, horn & strings, Op. 31: Nocturne - The Splendour Falls on Castle Walls | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | E♭ Major | 2 | 5B | 134 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | F Minor | 1 | 4A | 107 BPM | ||
Grande valse brillante in E-Flat Major, Op. 18 | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 117 BPM | ||
Symphony N°3 in F major, Op. 90: III. Poco Allegretto | London Symphony Orchestra | C Minor | 1 | 5A | 134 BPM | ||
CARMEN: MARCH OF THE TOREADORS (Bizet) | 101 Strings Orchestra | A Major | 5 | 11B | 116 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
Luke and Leia | John Williams, London Symphony Orchestra | A Major | 1 | 11B | 92 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Major | 1 | 7B | 109 BPM | ||
Piano Sonata No. 11 in A major, K. 331: III. Allegretto in A minor "Alla Turca" (feat. Yuli Lavrénov) | London Symphony Orchestra | A Major | 1 | 11B | 125 BPM |