Radio Orchestra Berlin made "Waltz from Maskarade" available on May 1, 2010. The duration of Waltz from Maskarade is about 3 minutes long, at 3:26. Based on our data, "Waltz from Maskarade" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #76 out of 100 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Waltz from Maskarade is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Waltz from Maskarade by Radio Orchestra Berlin has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Waltz from Maskarade being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Liebestraum | Nicolai Kureschky | A♭ Major | 0 | 4B | 77 BPM | ||
The Golden Age Suite, Op. 22a: Polka | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Minor | 1 | 5A | 108 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
Piano Sonata No. 2 in B Minor, Op. 35: III. Marche funèbre: Lento | Vitalij Margulis | D♭ Major | 0 | 3B | 105 BPM | ||
Sonata No. 2 in B-Flat Minor for Piano, Op. 35: III. Marche Funébre (Funeral March): Lento | Andrei Ivanovich | D♭ Major | 0 | 3B | 60 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 12a The Death of Ase | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 113 BPM | ||
Solveig's Song | Le grand orchestre classique, Charles Gerhardt, London Promenade Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Concerto in F minor, Op. 8 No. 4 RV 297 "L'inverno": I. Allegro non molto | Antonio Vivaldi, Alexander Titov | B Minor | 1 | 10A | 68 BPM |