"The Settling Years" by Libby Larsen, The United States Air Force Singing Sergeants, United States Air Force Band, Anonymous was released on July 13, 2011. The Settling Years appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "On Winged Flight". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, The Settling Years's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Settling Years by Libby Larsen, The United States Air Force Singing Sergeants, United States Air Force Band, Anonymous having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | A♭ Major | 0 | 4B | 72 BPM | ||
The Tempest: Suite No. 2, Op. 109: IV. Prospero | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | E Major | 0 | 12B | 77 BPM | ||
21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 2: III. Friar Laurence | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 0 | 8B | 104 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Try Me, Good King (Last Words of the Wives of Henry VIII): No. 1, Katherine of Aragon | Libby Larsen, Tracey Engleman, Lara Bolton | A Minor | 3 | 8A | 85 BPM |