"Vesperae solennes de confessore, K. 339: III. Beatus vir" by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire was released on February 7, 2000. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Solemn Vespers" album is number 11 out of 14. Based on our statistics, Vesperae solennes de confessore, K. 339: III. Beatus vir's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vesperae solennes de confessore, K. 339: III. Beatus vir by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Major | 0 | 12B | 89 BPM | ||
Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM | ||
Missa Brevis In B Flat Major Kv 275: Kyrie | Nicol Matt, Anja Bittner, Jens Wollenschläger, Reinhard Geller, Gabriele Wunderer, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Robert Morvaj, Manfred Bittner | B♭ Major | 2 | 6B | 84 BPM | ||
Requiem In D Minor, K. 626: Agnus Dei | Slovak Philharmonic, Peter Mikulas, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Jozef Kundlák, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 83 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
Exultate jubilate, K. 165 : Allegro | Capella Brugensis, Patrick Peire, Collegium Instrumentale Brugense | F Major | 1 | 7B | 116 BPM | ||
Regina coeli, K. 127 : Allegro maestroso | Capella Brugensis, Patrick Peire, Collegium Instrumentale Brugense | C Minor | 0 | 5A | 79 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | F♯ Major | 0 | 2B | 69 BPM |