"Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite" by Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg was released on November 22, 2019. With Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 45 in Berlioz: La Damnation de Faust by Hector Berlioz, John Nelson, Orchestre Philharmonique De Strasbourg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite by Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Carnaval, Op. 9, H. 95: Le carnaval romain, Op. 9 | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A Major | 0 | 11B | 89 BPM | ||
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite | Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | D♭ Major | 0 | 3B | 78 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM |