Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen made "Aladdin Suite, Op. 34, FS 89: VII. Negro Dance" available on August 1, 2005. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Nielsen: Aladdin Suite / Pan and Syrinx / Helios Overture". In this album, this song's track order is #7. Based on our statistics, Aladdin Suite, Op. 34, FS 89: VII. Negro Dance's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Aladdin Suite, Op. 34, FS 89: VII. Negro Dance by Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen having a テンポ of 157 with a half-time of 78 テンポ and a double-time of 314 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Symphony No. 1 in E Minor: IV. Finale. Presto | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 76 BPM | ||
Nielsen: Wind Quintet, Op. 43, FS 100: IIIa. Praeludium (Adagio) - | Carl Nielsen, Emmanuel Pahud | G Minor | 0 | 6A | 78 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Román népi táncok (Romanian Folk Dances), BB 76: No. 1. Jocul cu bata: Molto moderato | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | A Minor | 0 | 8A | 93 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): They all march together, Peter, then the Hunters with the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 108 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM |