"Selig sind die Toten" by Heinrich Schütz, Choir of Clare College, Cambridge, Timothy Brown was released on August 1, 2004. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Choir of Clare College, Cambridge, Timothy Brown's "Light of the Spirit" album is number 3 out of 36. Based on our statistics, Selig sind die Toten's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Selig sind die Toten by Heinrich Schütz, Choir of Clare College, Cambridge, Timothy Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" | Marco da Gagliano, Ensemble Pygmalion, Deborah Cachet, Raphael Pichon, Lucile Richardot, Davy Cornillot, Maïlys De Villoutreys, Nicolas Brooymans | C Major | 3 | 8B | 79 BPM | ||
Psalmen Davids, Op. 2: No. 12, Der Herr ist mein Hirt, SWV 33 "Psalm 23" | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, Ulrike Hofbauer, David Erler, Tobias Mathger, Georg Poplutz, Frauke Hess, Lee Santana, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 79 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Geistliche Chormusik: Herr, auf dich traue ich, SWV 377 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | G Major | 1 | 9B | 59 BPM | ||
Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Christ lag in Todesbanden: IVd. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Lamentations Of Jeremiah | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM |