Marco da Gagliano, Ensemble Pygmalion, Deborah Cachet, Raphael Pichon, Lucile Richardot, Davy Cornillot, Maïlys De Villoutreys, Nicolas Brooymans made "La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne"" available on May 19, 2017. With La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #13. La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" by Marco da Gagliano, Ensemble Pygmalion, Deborah Cachet, Raphael Pichon, Lucile Richardot, Davy Cornillot, Maïlys De Villoutreys, Nicolas Brooymans having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act III Scene 2: Song and dance of the Salij "Let us loudly rejoice" | Matthew Locke, Ensemble Correspondances, Sébastien Daucé, David Tricou, Davy Cornillot | D♭ Major | 1 | 3B | 122 BPM | ||
Stabat Mater, P. 77: V. Quis est homo. Largo | Giovanni Battista Pergolesi, Ensemble Resonanz, Riccardo Minasi, Giulia Semenzato, Lucile Richardot | C Major | 0 | 8B | 99 BPM | ||
Aimè, ch'io moro: Aime, ch'io moro | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | D Major | 1 | 10B | 93 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Misera, hor sì ch’il pianto | Giovanni Felice Sances, Scherzi Musicali, Nicolas Achten, Deborah Cachet | A Major | 1 | 11B | 94 BPM | ||
Semele, HWV 58, Act I Scene 2: You've Undone Me (Live) | George Frideric Handel, Lucile Richardot, Carlo Vistoli, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 80 BPM | ||
Choice Ayres & Songs: Give me my lute | John Banister, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 0 | 12A | 99 BPM |