"Psalmen Davids, Op. 2: No. 12, Der Herr ist mein Hirt, SWV 33 "Psalm 23"" by Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, Ulrike Hofbauer, David Erler, Tobias Mathger, Georg Poplutz, Frauke Hess, Lee Santana, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2013. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Heinrich Schütz, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann's "Heinrich Schütz: Psalmen Davids (Complete Recording Vol. 8)" album is number 12 out of 26. On top of that, Germany appears to be the country where this track was created. Psalmen Davids, Op. 2: No. 12, Der Herr ist mein Hirt, SWV 33 "Psalm 23" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalmen Davids, Op. 2: No. 12, Der Herr ist mein Hirt, SWV 33 "Psalm 23" by Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, Ulrike Hofbauer, David Erler, Tobias Mathger, Georg Poplutz, Frauke Hess, Lee Santana, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
Miserere: III. Tibi soli peccavi ; Ecce enim in iniquitatibus conceptus sum - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 63 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Panis Angelicus - Bonus Track | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | F♯ Major | 1 | 2B | 81 BPM | ||
Giunto a la tomba | Giaches de Wert, La Venexiana, Claudio Cavina | B♭ Minor | 1 | 3A | 115 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM |