"Quis numerare queat: I. Quis numerare queat" by Loyset Compère, Owain Park, The Gesualdo Six was released on October 29, 2021. With Quis numerare queat: I. Quis numerare queat being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Gesualdo Six, Johannes Ockeghem, Owain Park, Josquin des Prez, Loyset Compère, Antoine Brumel, Pierre de la Rue, Antoine de Févin, Jean Mouton, Adrian Willaert, Heinrich Isaac, Jean L'héritier's "Josquin's Legacy: Motets of the 15th & 16th Centuries" album is number 7 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Quis numerare queat: I. Quis numerare queat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quis numerare queat: I. Quis numerare queat by Loyset Compère, Owain Park, The Gesualdo Six to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Troisième livre de danseries: Suite d’Allemandes | Claude Gervaise, Into the Winds | G Major | 0 | 9B | 116 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Officium de Cruce: Pt. 7, Hora nona | Loyset Compère, New York Polyphony | C Major | 1 | 8B | 94 BPM | ||
Tallis: Sancte Deus - 2. Sancte Et Immortalis | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 134 BPM | ||
Magi veniunt ab oriente: II. Magi videntes stellam | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | B Minor | 1 | 10A | 86 BPM |