"27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me)" by Béla Bartók, Schola Hungarica, László Dobszay was released on July 15, 2014. With 27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 27 in Bartok: 27 2- and 3- Part Choruses by Béla Bartók, Schola Hungarica, László Dobszay. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. 27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) by Béla Bartók, Schola Hungarica, László Dobszay is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave regina celorum | Leonel Power, Trio Mediæval | F Major | 1 | 7B | 141 BPM | ||
Non vos relinquam orphanos | William Byrd, Stephen Cleobury, Ensemble of King's College, Cambridge | F Major | 3 | 7B | 88 BPM | ||
Ave Verum | The Monks Of Belmont Abbey | A Minor | 0 | 8A | 64 BPM | ||
Recordare virgo mater | Graduel De Bakócz, Choeur des Moniales de Pecs | F Major | 2 | 7B | 105 BPM | ||
Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
Annelies (chamber version): IV. The last night at home and arrival at the Annexe | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 71 BPM | ||
Dignity | St. Petersburg Optina Pustyn Male Choir | D Major | 4 | 10B | 102 BPM | ||
Psalm 23 | Laestadian Lutheran Church, Liisa Keranen, Ashley Niemela, Viena Kontkanen | E Minor | 1 | 9A | 88 BPM | ||
Vhodnoje | Pukovet | F Major | 2 | 7B | 88 BPM | ||
Redeemer, God and Lord SHZ 280 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen | F Major | 2 | 7B | 82 BPM |