Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost's ' "Armide, LWV 71, Prologue: D'une égale tendresse (La Gloire, La Sagesse)" was released on its scheduled release date, May 24, 2024. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully, Le Poème Harmonique, Vincent Dumestre, Tomislav Lavoie, Marie Perbost, Eva Zaïcik, Timothée Varon, David Tricou, Virgile Ancely, Jeanne Lefort, Anouk Defontenay, Stéphanie D'Oustrac, Cyril Auvity's "Lully: Armide" album is number 3 out of 64. In terms of popularity, Armide, LWV 71, Prologue: D'une égale tendresse (La Gloire, La Sagesse) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Armide, LWV 71, Prologue: D'une égale tendresse (La Gloire, La Sagesse) by Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Ouverture in G Major: II. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 75 BPM | ||
Antioco il Grande: Se tu sarai felice (Aria) | Giovanni Legrenzi, Regula Mühlemann | A♭ Major | 1 | 4B | 77 BPM | ||
Prima die Lectio prima: VII. Migravit judas | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 98 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Primo libro de' madrigali, Op. 1: Volano frettolosi | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Stabat Mater in F Minor, RV 621: No. 3., O quam tristis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Armida al campo d'Egitto, RV 699: Chi alla colpa fa tragitto | Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Repons: Una hora | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | D♭ Minor | 1 | 12A | 88 BPM | ||
Sonata Accademica IX, Op.2: Scozzese | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM |