Stabat Mater in F Minor, RV 621: No. 3., O quam tristis

Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri
Invocazioni Mariane
1:40 2024年3月8日
テンポ
99
キー
E Minor
キャメロットミュージックキー
9A

リンクを埋め込む

共有

Stabat Mater in F Minor, RV 621: No. 3., O quam tristis - Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri 情報

音響性
88%
ダンサビリティ
53%
エネルギー
11%
手段性
0%
活気
9%
ラウドネス
67%
話し言葉
3%
価数
42%
人気
ラウドネス
-19.982 dB

まとめ

Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 3., O quam tristis" available on March 8, 2024. With Stabat Mater in F Minor, RV 621: No. 3., O quam tristis being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 18 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 3., O quam tristis is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Stabat Mater in F Minor, RV 621: No. 3., O quam tristis テンポ

We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 3., O quam tristis by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Stabat Mater in F Minor, RV 621: No. 3., O quam tristis キー

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Concerto for 2 Mandolins in G Major, RV 532: I. Allegro by Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf LislevandConcerto for 2 Mandolins in G Major, RV 532: I. AllegroAntonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf LislevandD♭ Major33B116 BPM
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei by Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto TurcoVersi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus deiGiovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto TurcoD♭ Major13B92 BPM
Egisto, Atto III Scena 10: Amanti, se credete by Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana FloresEgisto, Atto III Scena 10: Amanti, se credeteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana FloresA Major111B109 BPM
Charpentier : Médée, Act 3: Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)Marc-Antoine Charpentier, William Christie, Les Arts FlorissantsA Major211B136 BPM
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo by Jan Dismas Zelenka, Ensemble Inégal, Adam ViktoraMissa Sanctae Caeciliae, ZWV 1: Gloria in excelsis DeoJan Dismas Zelenka, Ensemble Inégal, Adam ViktoraF♯ Major32B120 BPM
Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Illustra faciem tuam"Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias ViewegC Minor25A90 BPM
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes by Matthew Locke, Ensemble Correspondances, Sébastien DaucéPsyche, Act V Scene 3: Rustick musick of Mænades & ÆgipanesMatthew Locke, Ensemble Correspondances, Sébastien DaucéA♭ Major34B120 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 1. Agnus Dei, qui tollis peccata mundi by Niccolò Jommelli, Il Gardellino, Miriam Feuersinger, Gaia Petrone, Valerio Contaldo, Peter Van HeyghenMissa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 1. Agnus Dei, qui tollis peccata mundiNiccolò Jommelli, Il Gardellino, Miriam Feuersinger, Gaia Petrone, Valerio Contaldo, Peter Van HeyghenD Major110B171 BPM
Laudate pueri, HWV 237: VII. Qui habitare facit by George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin DoyleLaudate pueri, HWV 237: VII. Qui habitare facitGeorge Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin DoyleD♭ Major23B108 BPM
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) by Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis KossenkoLe Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice)Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis KossenkoD Major710B92 BPM
ISRC
FRZ132218180
レコードレーベル
L-M Records/RCA Records