"L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa)" by Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana was released on January 1, 2007. With L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, Claudio Cavina's "Monteverdi, C.: Orfeo (L') [Opera]" album is number 5 out of 44. On top of that, Spain appears to be the country where this track was created. L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa) by Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana to be Larghissimo because the track has a tempo of 0 テンポ, a half-time of 0テンポ, and a double-time of 0 テンポ. Based on that, the speed of the song's tempo is slow.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book VII: Al lume delle stelle | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini, Valerio Contaldo, Salvo Vitale, Claudio Monteverdi, Torquato Tasso | C Major | 2 | 8B | 105 BPM | ||
Nò, di voi, HWV 190 | George Frideric Handel, Rossana Bertini, Claudio Cavina, Caroline Boersma, Fabio Bonizzoni | D♭ Major | 1 | 3B | 116 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Artemisia: Act I: Dubbia m'appar (Meraspe, Ramiro, Artemia) | Francesco Cavalli, Francesca Lombardi Mazzulli, Roberta Mameli, Valentina Coladonato, Maarten Engeltjes, Andrea Arrivabene, Marina Bartoli, Silvia Frigato, Salvo Vitale, Alberto Allegrezza, Alessandro Giangrande, La Venexiana, Claudio Cavina | C Major | 0 | 8B | 92 BPM | ||
Prima die Lectio prima: VI. Gimel | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 77 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 34, Recitative: Ich habe genug!, BWV 82/2 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |