"2. Notenbüchlein für Anna Magdalena Bach: I. No. 34, Recitative: Ich habe genug!, BWV 82/2" by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto was released on April 26, 2024. With 2. Notenbüchlein für Anna Magdalena Bach: I. No. 34, Recitative: Ich habe genug!, BWV 82/2 being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 15 out of 42. On top of that, Sweden appears to be the country where this track was created. 2. Notenbüchlein für Anna Magdalena Bach: I. No. 34, Recitative: Ich habe genug!, BWV 82/2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2. Notenbüchlein für Anna Magdalena Bach: I. No. 34, Recitative: Ich habe genug!, BWV 82/2 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 37, Willst du dein Herz mir schenken (Aria di Giovannini), BWV 518 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM | ||
When Saul was king: II. How are the mighty fallen | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music, Helen Charlston, Guy Cutting | B Minor | 2 | 10A | 71 BPM | ||
Caro amante | Corrado Bonfiglio, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: No. 3, Wie zittern und wanken der Sünder Gedanken | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | F♯ Minor | 1 | 11A | 115 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 4 | 12B | 101 BPM |