Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez's ' "Sonata Accademica IX, Op.2: Scozzese" was released on its scheduled release date, June 8, 2023. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Sonata Accademica IX, Op.2: Scozzese's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orpheus Musicus, Sergio Suárez, Laura Martinez Boj's "Musica Scotica" album is number 15 out of 19. On top of that, Spain appears to be the country where this track was created. Sonata Accademica IX, Op.2: Scozzese is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata Accademica IX, Op.2: Scozzese by Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 2 | 5B | 105 BPM | ||
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Major | 1 | 10B | 100 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Domine ne in furore tuo | Alessandro Grandi, Accademia d'Arcadia, Alessandra Rossi Lürig, Laura Martinez Boj, Maximiliano Baños, Roberto Rilievi, Renato Cadel | A♭ Minor | 0 | 1A | 81 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Scotch and English Songs: Rosline Castle | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Minor | 1 | 12A | 90 BPM |