"Missa Brevis (2008 - Remaster): Sanctus" by Giovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks was released on October 3, 2008. The duration of Missa Brevis (2008 - Remaster): Sanctus is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Missa Brevis (2008 - Remaster): Sanctus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Palestrina: Masses and Motets". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Missa Brevis (2008 - Remaster): Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Brevis (2008 - Remaster): Sanctus by Giovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymn of the Cherubim (Excerpt 2) | The Leningrad Glinka State Academic Choir | D Major | 2 | 10B | 80 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha | D Minor | 0 | 7A | 74 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: IV. Mit Fried und Freud ich fahr dahin | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | B♭ Minor | 1 | 3A | 133 BPM | ||
Missa Veni Domine: IIb. Qui tollis peccata mundi, miserere | Filipe de Magalhães, Cupertinos, Luís Toscano | F♯ Minor | 2 | 11A | 94 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM |