"Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: IV. Mit Fried und Freud ich fahr dahin" by Johannes Brahms, Cappella Amsterdam, Daniel Reuss was released on November 17, 2014. With Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: IV. Mit Fried und Freud ich fahr dahin being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 20 in Brahms: Choral Works by Johannes Brahms, Cappella Amsterdam, Daniel Reuss. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: IV. Mit Fried und Freud ich fahr dahin's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: IV. Mit Fried und Freud ich fahr dahin by Johannes Brahms, Cappella Amsterdam, Daniel Reuss is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Chorus of Spirits for mixed Chorus | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 1 | 8B | 111 BPM | ||
All-night Vigil, Op. 37, "Vespers": Beginning song: Come let us worship | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 81 BPM | ||
Deutsche Messe, D. 872: IV. Zum Offertorium. Sehr langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 70 BPM |