"Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II" by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha was released on May 18, 2018. With this song being about 5 minutes long, at 5:20, "Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II" by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaughan Williams: Mass in G Minor by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Joseph Wicks, Andrew Nethsingha. The song's track number on the album is #4 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
A Severn Rhapsody, Op. 3 | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 62 BPM | ||
5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM |